The genesis for DISQUIETED NATURE are the landscape paintings of my earlier career. Born out of a serendipitous fusion of paintings styles, I've added an interesting disruption to my traditional landscapes.
Sometimes I see these paintings as if the viewers’ sight was modified by a leaded glass window, or a rainstorm. But they are mostly informed by my concern for the global climate crisis. The jarring interruption of over-scraped paint cannot be dismissed, as it clearly mimics the indiscriminate scarring of nature, and careless destruction caused by human greed.